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Two of the young folks in my training class today were joking about a third who'd come in late.

"You're late," one said. "And what happens when you're late?"

"You don't get fruit cup," replied the other. And I laughed.

"You guys like Mel Brooks?!" I asked. "Cool!" But they stared. "Mel Brooks, right? High Anxiety, right? That's where the fruit cup comes from, right?"

"No," one said, with 'duh' written all over his face. "Sportscenter."

Oh, how pop culture plays games with us.



Got two DVDs from Amazon today, films I adore but I realize almost nobody else seems to dig: The Impostors and Funny Bones, quite possibly the best film ever set in Blackpool. It's also got a great soundtrack with Raymond Scott and John Lee Hooker and all sortsa stuff. Oliver Platt is a funny funny man, especially when he's allowed to be in a very dark comedy.

Forget the box copy for Funny Bones. Don't read it. Don't read the tagline. The marketing for the film was so horrendously mishandled that it's no wonder the film didn't do any business at all. If you go into Funny Bones expecting slapstick crazy comedy right off the bat, oh man will you be disappointed. If you go in realizing "Oh hey this is gonna be a black comedy and it may just shock me as much as it'll make me laugh" then you're gonna be just fine.

There is one scene in Funny Bones which is absolutely brilliant. It was the one scene that stuck with me in the eight years since I last saw the film. I'll put it behind the cut.

The Parkers, two old brothers in Blackpool, run a ghost train dark ride. When someone takes a ride, they eagerly duck behind the scenes and run to take part in a scene. The riders go through your usual funhouse stunts, horribly fake pop-up ghouls and stuff, and everybody's laughing. It's fun to be scared and laugh at cheesy depictions of death. The riders laugh through the entire ride, until they get to the last scene.

It's the two men. The two actual men. At a wake. Mourning someone in the coffin. And as the car rolls by, the two turn to stare, dolefully, at the riders.

And the riders shriek. They scream. They leave the ride crying and shaken.

I love it.

That's the way the entire film is, really. You laugh at what you're supposed to laugh at and then something happens that just kills you. I don't mean comedic kill, either. It just blows the hell out of you. Oh Moses. But that's comedy. Comedy happens at the expense of somebody else -- every single time. Laughs come from our relief at not being the one on the spot, or in the tree, or wearing that ridiculous outfit. Sometimes the schadenfreude is not as pronounced as other times, but it's always there. Just remember the old dictum from Mel Brooks: "Tragedy is when I cut my finger. Comedy is when you walk into an open sewer and die."

But in the end, even with the freeze-frame ending at the moment of triumph which I do so hate, Funny Bones is good. The comedic climax featuring the two brothers is just... so wonderful. Watching two old comedians do some incredible bits of physical comedy, stuff you just know they'd been doing forever and ever, is just a joy to watch. Plus the film features Lee Evans, an incredibly manic British comedian who just never got much exposure in the States (no, Mouse Hunt does not count.)

And you know, it's one of Jerry Lewis' few roles that I actually like. This and The King of Comedy are his two movies I like. It's funny how good he is when he plays a comedian, eh?

(no subject)

Date: 2004-08-24 11:38 pm (UTC)
From: [identity profile] roody.livejournal.com
Yeah, I love The Impostors- even bought the soundtrack to remind me of all the good fun. I think Campbell Scott is hilarious in that, as opposed to the usually dry and sort-of cardboard serious roles I've seen him in (I actually feel the same way towards David Duchovny, mainly from his cameos on "The Larry Sanders Show" but I realize that most people aren't as charmed with Evolution as I was).

Anyhow, it may not recall classic comedies as well, but as far as absurd-fun-on-a-cruise-ship goes, I recommend the indie adventure http://www.absurdus.net/game.htm (http://www.absurdus.net/game.htm) that [livejournal.com profile] isquiesque is currently playing. I guess there's a demo, but it was worth the $15 for me.

(no subject)

Date: 2004-08-24 11:40 pm (UTC)
From: [identity profile] annilita.livejournal.com
Welcome to foagie-dom, Rob. Stop at the door on your way out and pick up your Vanilla Ice CD, Betamax of the Smurfs, and dittos of your homework.
From: [identity profile] roody.livejournal.com
My only complaint about the movie is that if one isn't in the right mood, the first five minutes can seem a bit tedious. If I'm showing the movie to someone for the first time, that's the bit that I might cringe a bit, knowing that if I can just get this person past this hump, they're going to love this movie...

Not that I don't sometimes find that beginning segment hilarious.

It has made me also... moist.

Date: 2004-08-24 11:58 pm (UTC)
From: [identity profile] roody.livejournal.com
Damn, almost missed my chance to quote that part.

Re: It has made me also... moist.

Date: 2004-08-25 12:32 am (UTC)
From: (Anonymous)
(livejournal won't let me login right now)

Mainly the pastry shop scene and stuff up until they get on the boat. I do like the opening sequence a lot, but it plays with the viewer's expectations and leaves him or her in sort of a limbo which makes some of the next couple scenes more questionable.

But that isn't to say that I haven't grown to like all of those scenes; I'm just sensitive about them when showing it to people.

Actually, my copy is on my brother's shelf downstairs since I lent it to him to watch months ago. I really should get that back and give it a watch real soon-like.
From: [identity profile] sarcasma.livejournal.com
Dude, I freaking love The Impostors. I mean... what you said.

(no subject)

Date: 2004-08-25 06:08 am (UTC)
From: [identity profile] androidqueen.livejournal.com
o tragic day! you clearly need to lend one of them blazing saddles because the poor things obviously love mel brooks and don't even know it.

(no subject)

Date: 2004-08-25 07:26 am (UTC)
From: [identity profile] oakenguy.livejournal.com
Oh, Funny Bones. I have such a love/hate relationship with that movie, which would have blossomed into love/love if they'd shown the two brothers doing an entire skit, instead of giving you just glimpses of each one. It's as if Singing in the Rain showed the beginning of each dance number, and then cut to show you what was going on out in the street. And then on the other side of LA. And then back for a closeup of a little footwork...and then a glimpse of something going on in Philadelphia. Argh.

(no subject)

Date: 2004-08-25 07:41 am (UTC)
From: [identity profile] seph.livejournal.com
Now, you see, if kids are getting Mel Brooks things from Sports Center, how long will it be before all the little chitlin's figure that Donkey Kong originated from Donkey Kong Country? Bah.
From: [identity profile] signsoflife.livejournal.com
. . . but then there are people who think "we don't need no stinking badges" comes from Blazing Saddles.

I've had varying kinds of that experience with both "it gets the hose" and "that'll do, pig". (Actually, now that I think of it both of those were referenced in South Park.)

(no subject)

Date: 2004-09-04 03:26 pm (UTC)
From: [identity profile] roody.livejournal.com
Just thought of this today (hence the delay): I don't know how you feel about light-hearted science fiction books, but I'd heartily recommend Walter Jon Williams' House of Shards (http://tinyurl.com/5psrf). It's a fun, very comedic thing that takes place on a spacestation or something but has a little of that "wacky fun on a cruiseliner" feel (and recalls other classic movie conventions, too, IMO). It's the second book of a trilogy, but I read it first with no problems and still consider it to be the best of the bunch.

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